The Hunger Games continues Catching Fire with new exciting trailer

The wait is finally over for fans of The Hunger Games series - the new trailer for 'The Hunger Games: Catching Fire' has arrived!

This time around, something is notably different and it is Katniss Everdeen's little sister Prim (Willow Shields) who says just what that is in the trailer - hope. The hope Katniss (Jennifer Lawrence) has inspired, of course, also brings with it an immense and very real threat to both herself and those she loves - a threat she is desperate to flee from as evident when she begs best friend Gale to run away with her before they are killed.

There are two elements of the trailer, however, which are even more exciting to see. Firstly, there is a lot more of the infamous conversation which takes place between President Snow (Donald Sutherland) and Katniss. This conversation - as fans will already know - is what starts the story and makes Katniss decide to do all she can to keep Snow on side. 'Would you like to be in a real war?' Snow asks. 'What do I need to do?' Katniss asks in response.

Secondly, and perhaps even more importantly, is the first real look at the victors who will be joining Katniss and Peeta (Josh Hutcherson) in the arena. None of them have been allowed to speak yet in this trailer but - in true Hunger Games fashion - they are far more captivating showing off their fighting skills. Unsurprisingly, we have been treated to a glimpse of a half-naked Finnick Odair (Sam Claflin) and a rather intimidating Johanna Mason (Jena Malone) - though no sight yet of that much-loved first appearance of hers.

The trailer also shows something that is not often seen in any of The Hunger Games stories - a surprised and rather annoyed President Snow - after Katniss's magical transformation from blushing bride to Mockingjay.

Arguably, the most powerful and lingering part of the entire trailer is that of Haymitch's parting words for Katniss, spoken once again by the incomparable Woody Harrelson: 'Remember who the real enemy is.'

The promotional team behind the film are being careful not to give too much away too soon. The first trailer for 'The Hunger Games: Catching Fire' was focused on the immediate aftermath of the first film and the struggle the two victors faced under the Capitol's spotlight. Now, with this second trailer finally released, and only four months left until the film hits cinemas, fans of the franchise are able to see what happens next, meet the other victors and get a look at the arena itself. The more footage I see, the more it looks like this will be another stunning adaptation of the Suzanne Collins novels - and the more I cannot wait to see the film itself.

What's your favourite part of the trailer?

Pacific Rim puts the fun back into summer blockbusters

Remember the effect Jurassic Park had on the big screen? Independence Day? The incredible effects, the comedic one-liners, the characters we all cared about? It's been ages since I've felt that in the cinema - until now!

Pacific Rim ticks every box and delivers with every scene. The 3D enhances the cinematic experience and both the aliens and robots are simply spectacular. Care and detail has gone into making them more than just Power Rangers on steroids and the result is mesmerising and breathtaking to behold. Behind the action and epic robot vs. alien fight sequences, though, there is heart and emotion. There is a fantastic female actress (Rinko Kikuchi) who doesn't need to parade about in a bikini amongst the men to make people take note, there is Idris Elba leading the troups, Charlie Hunnam scarred by the loss of his brother.

The story has it all and backs it up with everything you could want from a proper summer blockbuster: action, comedy, thrills and pure unadulterated fun.

Go and see it. See it right now, at the cinema, in 3D. You will not be disappointed. Your face may hurt though from all the smiling!

5/5 FOBLES - if only more filmmakers could deliver like this does

Kirsty Greenwood's 'Yours Truly' gets a gorgeous new paperback cover!

Ebook sensation, Novelicious creater, champion of women's fiction and all-round lovely lady Kirsty Greenwood has already dazzled with her debut novel, Yours Truly, which rocketed to within the top 10 ebook sales soon after its launch. Now, having signed on with Pan Macmillan, Kirsty has today revealed the new cover for the paperback edition - due out in November - and it is GORGEOUS!

Courtesy of @kirstybooks

Here's what I thought of this delightful debut!

Theatre Review: The Hothouse with Harold Pinter panel discussion

Guardian theatre critic and Harold Pinter biographer Michael Billington joined actresses Gina McKee and Lia Williams, writer Nick Payne and theatre director Jamie Lloyd for a special panel discussion of the playwright's work last week, ahead of the production of his play The Hothouse which stars John Simm, Simon Russell Beale and Harry Melling.

The panel discussed the influence of Pinter as a playwright, from the Pinter pause and the real meaning behind what is not said to the importance of timing in his dialogue. Pinter, they said, was revolutionary in the world of theatre and was amongst the first group of playwrights to provide works with ambiguous endings, where audiences could interpret the play the way they wanted to. Every line and every gesture, according to the panel, had significance.


Harry Melling (Lamb) - The Hothouse
Photo Credit Johan Persson

The Hothouse follows the staff of a mental health facility as Christmas Day brings the news of both a birth and a death amongst their patients. Chaos ensues as the chief, Roote, starts to panic about the implications of such events taking place under his roof.

The play moves at breakneck speed with the dialogue delivered as quickly as a Wimbledon tennis match - flying from one actor to the next and back again. The performances are often manic, adding to the hilarity but, though it is hilarious throughout and provides numerous belly laughs, the play is incredibly dark. The patients are never actually seen but hearing the way the staff talk about them is horrifying. They refer to them in numbers and look at them as an imposition and inconvenience. The news that one of the patients has given birth means that one of the staff has been having sexual relations with her but this reveal is met more with indignation at the extra work the birth has created rather than horror at the relationship itself. The most horrifying scenes are that of Lamb (played by Melling) undergoing electric shock treatment. His performance is so vivid that the result is immensely unsettling. 

For the most part, The Hothouse follows a steady rhythm but it leaps, rather unexpectedly, into one of the more shocking and unresolved endings for which Pinter is now so well known.

A clever, insightful but slightly disjointed work.

4/5 FOBLES

The Hothouse runs until August 3rd at Trafalgar Transformed.

New Carrie poster arrives

A new poster has arrived for the long-awaited - and, annoyingly, delayed - Carrie adaptation which stars Chloe Moretz and is out later this year.

What do you think? Will it be more like the Stephen King novel? It certainly looks that way from the trailer...

Source: Shortlist

The ‘reality’ of The Hunger Games

Stanley Tucci and Jennifer Lawrence in The Hunger Games. Credit: Murray Close.

Suzanne Collins, author of 'The Hunger Games' trilogy says she first came up with the idea for the stories when she was channel hopping between the news and reality TV. There was something terrifying in turning the violence and horror we see every day on the news into a reality TV show. Sparked by this idea, the annual hunger games began.

As 'The Hunger Games' begins, viewers see many of district twelve preparing for the reaping ceremony - the ceremony where one boy and girl will be chosen at random from each of the twelve districts to take part in the games. Even though they are sending two of their own to probable death, each citizen must dress up for the occasion, with the girls doing their hair in some special way. If they are not seen to be making an effort, they are likely to be punished.

The entire ceremony is also, of course, televised and broadcast across the nation of Panem. This is not an event you can simply call in sick for. Everyone must attend. Those in charge want the parents, siblings, friends and relatives of those selected to witness not just their selection at the reaping but everything that follows - right up to their death. They want everyone to see their power and what they can make Panem's children do. It is essential to their control.

The violence found in 'The Hunger Games' has, of course, been done before. Children killing children can be found in many stories - from 'Lord of the Flies' to 'Battle Royale'. However, we currently live in a world of reality TV - from Chelsea to the Geordie Shore via Laguna Beach. People film everything on their camera phones nowadays and some even film people being attacked or abused so that others can watch for their 'enjoyment'.

Collins managed to tap into this social phenomenon by incorporating this reality TV element into her stories and it was this focus that made 'The Hunger Games' that much more menacing - and oddly captivating. This is what allows for the film to be both inherently violent and not remotely gratuitous. None of the violence is glamorised. If anything, the focus is more heavily weighed on just how horrific it all is. Viewers of the film watch not just what happens within the games but everything that happens outside them too. As Panem's citizens are forced to watch their loved ones fight, kill or be killed, so is the viewer.

Sumptuous new stills from Baz Luhrmann's The Great Gatsby

As if I wasn't excited enough about the impending The Great Gatsby adaptation release (which I'll be seeing with some fellow book vs film devotees who are all currently reading the book!)... these images have made me even more excited (click to enlarge the images)!

The Great Gatsby stars Leonardo DiCaprio, Tobey Maguire, Carey Mulligan, Joel Edgerton and Isla Fisher and hits cinemas in 3D and 2D on May 16th.