Juno, written by Diablo Cody, sees a teenage girl fall pregnant and decide to give the baby up for adoption rather than have an abortion. With the support of her friends and family, she navigates the challenges of pregnancy and the impending knowledge that she will be giving up her child.
The film quickly became a cult classic and it's easy to see why. With a witty script, brilliant music and a plot that remained light and adorable whilst not overlooking the repercussions of teenage pregnancy, Juno was a fun and sweet delight with a quirky mix of comedy and sincerity.
The fantastic cast includes Ellen Page, Allison Janney, Michael Cera and J. K. Simmons.
4*
See also: the brilliant 'Tallulah' (which can be found on Netflix). Tallulah reunites actresses Ellen Page and Allison Janney and is written and directed by Sian Heder.
Showing posts with label scriptwriting. Show all posts
Showing posts with label scriptwriting. Show all posts
Friday, 13 January 2017
Friday, 12 August 2016
Scriptwriting: challenging the default - an unconscious bias test
I've grown up aware of gender inequality. I've heard about how difficult it is for female directors and writers to get work. I’ve heard trolls moan about the 'feminazis' pushing their agenda down people's throats every time someone has the audacity to put a female in a lead role in film or TV.
But it wasn't until I started scriptwriting myself that I became fascinated by the process that leads up to these stories and how they're told – and the almost ridiculous things we must add to the script in order to improve things. The TV script I've written is full of diversity and has many female roles. The main character is (shock horror!) a woman. Yet I didn’t set out to write a diverse story – it's just the story I wanted to write. It's essential that the cast is a mixed one.
When I started to investigate scriptwriting in all its glory, I found advice saying that if you're writing a crowd scene, you should specify that half of the crowd are female and that you should specify that there are numerous ethnicities. Don’t just say 'A soldier enters' or 'A police officer enters'. Purposely make them female and non-white from time to time. Because if you don't then the default of White male is likely to appear in the end product, whether that's how you saw it or not.
And it got me thinking about the unconscious rather than the conscious bias. That if you start talking about a doctor, many people might just assume said doctor is a man. Or if you talk about a primary school teacher, the assumption is that she’s cute and wears flowery dresses and glasses. Because people are going to go to their default, whether they mean to or not.
But the fun really begins when you go against your default!
[In the interest of full disclosure, I am White, female, middle-class, London-born and raised. I have also spent time living in Baltimore, Southern Spain and Buenos Aires. That is my bias.]
I opened up this concept to Twitter, beginning with a simple Tweet about what I wanted people to do: 'Right, here goes: I'm going to describe a character. You get a picture of that person in your mind. Then answer questions on next Tweet...'
Before I’d even begun, I realised that telling people you’re doing an unconscious bias test sort of defeats the point a little bit but for me it was more important to make people think about their own default and to question it. And knowing what I was doing forced me to change my own defaults, just to try and make a more interesting story.
I started off with my first character: Show: family drama, small, intimate, psychological. Character: creepy neighbour, introvert, no friends, spying on neighbouring children.
From that one brief Tweet, the character the voters came up with was: male (88%), 30-50 years' old (50%) and White (a whopping 97%!). And what were the people like on this street? Middle class, according to 79% of the people who responded.
Was the neighbour character...— Amanda (@filmvsbook) July 27, 2016
I had not said a thing about the street. It could have been a very poor, working class one and there could still have been a creepy neighbour. It could have been the richest street in England and it could still have worked. But middle-class, White and male just seemed to be the go-to.
Not a single person thought the neighbour could be Black. And only 3% considered that they'd be Asian.
Was the neighbour character...— Amanda (@filmvsbook) July 27, 2016
So let's mix things up a bit. Let's imagine that story again. How about we make the neighbour a woman. Imagine that she is perceived as creepy rather than is simply because she doesn't talk to people, when actually she's just very sad. Make her misunderstood, not sinister. She's looking at the children because her own child died, perhaps. She's introverted because she's too sad to go out and talk to people. Or, alternatively, make her elderly! She just looks at the children because she's longing to go back to her misspent youth and hates that she's old. She has no friends because they've all died, and she knows her turn is coming soon and nobody will mourn her.
Or maybe she's elderly but still really, really creepy!
Let's move the street. Set it in Birmingham, or Leicester, or so many parts of London where 'White' is not the default, where there is a high Asian population, for example. Or make the whole street Asian characters who live in constant fear of the creepy White neighbour who never speaks to any of them.
The possibilities are endless. But the point, of course, is that there are possibilities that don't involve a White, middle-class male.
And so we move on to the second character I described, in a place a little further afield...
You say the story is set in space so where does your head go? Alien? Star Wars? You're probably already imagining your favourite space-age hero/heroine. A leader, possibly a female (thank you, Ripley!). But they're 'freakishly strong' which may suggest that they're male. Because there are strong women but can there be 'freakishly' strong ones? (Of course there can be!) But this 'leader' is crass and of few words. Does this suggest male more than female?Story: action film set in space. Character: a leader, freakishly strong, crass, of few words. Can you picture them? #unconsciousbias— Amanda (@filmvsbook) July 27, 2016
So, who did we come up with? Well, despite the first responses leaning heavily towards this character being a female (thanks, possibly, to the Katniss/Rey-effect!), the final tally made them male (61%), White (50%), with dark hair (53%), ragged/messy in appearance (70%).
This time around, the percentages weren't as high but we still ended up with a White male. 25% thought he was Black, while 10% opted for our leader to be Asian. When it came to hair choice, my own bias came into the potential answers. Because when I thought of a surly, crass leader I thought of John McClane. So I added 'non-existent' and 27% of voters agreed.
And so to our third and final character test...
Film: childhood adventure, set in major city. Character: 12 yrs old, lonely, imaginative, funny, sweet. Brave in made up world, not in life.— Amanda (@filmvsbook) July 28, 2016
And who did we cast here...? Well our lonely, imaginative, 12-year-old is a girl (91%), White (55%), from a pretty financially stable home (70%) and has dark hair.
Unlike our space leader, 20% saw this girl as having her hair dyed a vivid colour (0% considered this a possibility for the spaceman). 27% considered she'd be Black and 18% saw her as Asian. Was this because I'd purposely noted that it was set in a major city? Who can say?
The most fascinating part of this one (for me, at least!) is that only 9% of people saw her as a he. Why was it so unlikely that an imaginative 12-year-old would be a boy? Well, one voter had a suggestion. He explained that it was the use of the word 'lonely' that made him choose a girl over a boy because:
Another voter had her own idea of why this character was lonely:
@filmvsbook odd-one-out, no siblings, sees the world differently than anyone else,... She is sincere and real in a "fake" world— la vie est belle ☆ (@sanfafazey) July 28, 2016
What do you make of these results? Did anything surprise you?
The full Tweet threads for all three character tests can be found here:
https://twitter.com/filmvsbook/status/758285239999459328
https://twitter.com/filmvsbook/status/758337396916228097
https://twitter.com/filmvsbook/status/758636161690664960
(Also, for more on how women are written in ACTUAL scripts, check out @femscriptintros!)
(Also, for more on how women are written in ACTUAL scripts, check out @femscriptintros!)
Monday, 29 September 2014
Doctor Who: The Re-imagining - fan-fiction script
When Matt Smith announced he was leaving Doctor Who, a feature I had written which asked the question ‘Is it time for a female Doctor Who?’ went viral – perhaps unsurprisingly. Many were appalled at the mere suggestion and I actually managed to get a second feature written based solely on the vitriolic comments the first article sparked.
Yet throughout all of this hatred, one pairing stuck in my mind. As I contemplated which actress (or actor – yes I was thinking of both!) might work really well as the new Doctor, Olivia Colman popped into my head and just wouldn’t leave.
Having seen her in Tyrannosaur I knew she could do drama; she could break your heart. And everyone knew already just how funny she was from her earlier TV work and films like Hot Fuzz. She seemed the perfect choice.
A female Doctor required a male companion in my mind too and it occurred to me that the loveable Rupert Grint (Ron Weasley to Harry Potter fans) might just be brilliant. He could be endearing, angry, feisty, stroppy - all the great marks of an interesting companion.
The pairing stuck with me, even after Peter Capaldi was announced as the replacement.
And so, I give you Doctor Who: The Re-imagining, a fun little script I wrote in which the Doctor (Olivia Colman) and her new assistant (Rupert Grint) go on their first adventure. I hope you like it!
Please take it in the context it was meant – a laugh!
Safe travels, Whovians xxx
Yet throughout all of this hatred, one pairing stuck in my mind. As I contemplated which actress (or actor – yes I was thinking of both!) might work really well as the new Doctor, Olivia Colman popped into my head and just wouldn’t leave.
Having seen her in Tyrannosaur I knew she could do drama; she could break your heart. And everyone knew already just how funny she was from her earlier TV work and films like Hot Fuzz. She seemed the perfect choice.
A female Doctor required a male companion in my mind too and it occurred to me that the loveable Rupert Grint (Ron Weasley to Harry Potter fans) might just be brilliant. He could be endearing, angry, feisty, stroppy - all the great marks of an interesting companion.
The pairing stuck with me, even after Peter Capaldi was announced as the replacement.
And so, I give you Doctor Who: The Re-imagining, a fun little script I wrote in which the Doctor (Olivia Colman) and her new assistant (Rupert Grint) go on their first adventure. I hope you like it!
Please take it in the context it was meant – a laugh!
Safe travels, Whovians xxx
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