BIFA Award Nominees Announced

The nominees have now been announced on Twitter by Moët BIFA (The Moët British Independent Film Awards).

The nominations include Submarine, Tyrannosaur, We Need to Talk About Kevin, Albatross, Jane Eyre and Tinker Tailor Soldier Spy. All in all, it's been a great year for British Cinema and long may it continue. There seems to also be a great mix of fresh new screenplays and book to film adaptations.

Personally, I would love to see Paddy Considine and Olivia Colman get recognised for their incredible work in Tyrannosaur and must say a massive congratulations to Jessica Brown Findlay for her nomination for Albatross, though I am sad to see Tamzin Rafn hasn't made the list for her brilliantly witty and original screenplay of the same film.

The hardest award to call may just be the Best Supporting Actor category as Tom Hardy, Benedict Cumberbatch and Ezra Miller all brought phenomenal acting to the screen.

See what you think of the list below. Is your favourite on there? 

MOST PROMISING NEWCOMER (ON SCREEN)

• Jessica Brown Findlay for ALBATROSS
• John Boyega for ATTACK THE BLOCK
• Craig Roberts for SUBMARINE
• Yasmin Paige for SUBMARINE
• Tom Cullen for WEEKEND

BEST SUPPORTING ACTRESS

• Felicity Jones for ALBATROSS
• Vanessa Redgrave for CORIOLANUS
• Carey Mulligan for SHAME
• Sally Hawkins for SUBMARINE
• Kathy Burke for TINKER TAILOR SOLDIER SPY

BEST SUPPORTING ACTOR

• Michael Smiley for KILL LIST
• Tom Hardy for TINKER TAILOR SOLDIER SPY
• Benedict Cumberbatch for TINKER TAILOR SOLDIER SPY
• Eddie Marsan for TYRANNOSAUR
• Ezra Miller for WE NEED TO TALK ABOUT KEVIN

BEST ACTOR

• Brendan Gleeson for THE GUARD
• Neil Maskell for KILL LIST
• Michael Fassbender for SHAME
• Gary Oldman for TINKER TAILOR SOLDIER SPY
• Peter Mullan for TYRANNOSAUR

BEST ACTRESS

• Rebecca Hall for THE AWAKENING
• Mia Wasikowska for JANE EYRE
• MyAnna Buring for KILL LIST
• Olivia Colman for TYRANNOSAUR
• Tilda Swinton for WE NEED TO TALK ABOUT KEVIN

BEST SCREENPLAY

• John Michael McDonagh for THE GUARD
• Ben Wheatley and Amy Jump for KILL LIST
• Abi Morgan and Steve McQueen for SHAME
• Richard Ayoade for SUBMARINE
• Lynne Ramsay and Rory Kinnear for WE NEED TO TALK ABOUT KEVIN

BEST DIRECTOR

• Ben Wheatley for KILL LIST
• Steve McQueen for SHAME
• Tomas Alfredson for TINKER TAILOR SOLDIER SPY
• Paddy Considine for TYRANNOSAUR
• Lynne Ramsay for WE NEED TO TALK ABOUT KEVIN

BEST BRITISH INDEPENDENT FILM

• SENNA
• SHAME
• TINKER TAILOR SOLDIER SPY
• TYRANNOSAUR
• WE NEED TO TALK ABOUT KEVIN

Albatross Q&A with star Jessica Brown Findlay and writer Tamzin Rafn

Actress Jessica Brown Findlay had not yet been cast in Downton Abbey - the show she is now recognised for - when she auditioned for the role of Emelia in Albatross. She decided to audition for the role by pretending to be like the character Emelia. When she was cast in the role, they were surprised to find she was actually incredibly shy.

The film was shot on location on the Isle of Man - in the middle of Winter. When asked what she thought of the location, Findlay commented that there was horizontal rain but the people were friendly and the landscape "cinematic". "It comes across so beautifully," she said.

Writer Tamzin Rafn said that when she wrote the scene where Emelia runs into the sea, she imagined it being done in Summer, but was horrified when they shot it on a very cold day. But Findlay cannot take credit for this scene as it was actually filmed by a double - someone a little more accustomed to the cold water.

The racy scenes were a far cry from Findlay's Downton character Lady Sybil but she pulled them off with apparent ease. On snogging her co-star Sebastian Koch, Findlay said that her mother was very jealous - and her dad, well he was less impressed. There is also a lot of swearing in the film, which Rafn admits she was a little suprised by. Some of the cast, she said, ad-libbed and she had to explain to her parents that she didn't put quite that many "fucks" into the script.

Rafn also explained that many changes were made from her original script to the finished product - but ones she seems to be incredibly happy with. When she wrote the script, she made it as funny as possible but it is director MacCormick that she claims added the drama. She and MacCormick also worked closely with actor Sebastian Koch, who feared that Jonathan would come across as nothing more than a pervy old man. He requested more takes to make sure it was just right. Also, Beth was not originally such a major character, but it was decided that she had to be more of an equal to Emelia.

So what is next for Findlay and Rafn? Well Rafn still has her day job and will continue writing in her spare time as she always has (for now at least) while Findlay is off to start filming a new adaption of Kate Mosse's Labyrinth so she'll be going "medieval" with her next project.

Special thanks to Lovefilm for organising such a great screening!

Pictures: Copyright CinemaNX

Review - Albatross

Directed by Niall MacCormick and written by newcomer Tamzin Rafn, Albatross is the story of Emelia and what happens to a family who live and work in a beach house when the new cleaner, 17-year-old Emelia shows up. The film stars Sebastian Koch as dad Jonathan, Julia Ormond as mum Joa, Felicity Jones as bookish teenage daughter Beth and Jessica Brown Findlay as the whirlwind Emelia that turns their family upside-down.

Orphaned Emelia has been raised by her grandparents. She is a very forthright character, not afraid to speak her mind - a fact the audience is made aware of quickly as her first encounter with Jonathan is to find him masturbating in his study. Instead of running away and hoping he hadn't heard her (as many would do!) Emelia knocks and stands at the door waiting for his reaction. He tells her she doesn't need to clean in that room. "Are you sure?" she responds. "Seems pretty dirty to me."

Jonathan takes an instant shine to Emelia as she excites him out of his unhappy marriage and writers block. But Jonathan is not the only one who has taken a shine to Emelia. Daughter Beth finds her intriguing and when Emelia is invited to dinner by Beth, Jonathan learns that she is an aspiring writer and offers to teach her creative writing - in secret. After a few sessions of her coming onto him, Jonathan succumbs to Emelia's charms and the two start an affair.

Emelia's two new relationships - with Jonathan and Beth develop simultaneously which is what makes the affair all the more realistic. If Emelia had been friends with Beth first, she wouldn't have considered it. But as she gets closer to Beth, she realises how wrong it is. The fear is not that the parents will split up if the affair is discovered - they are so nasty to each other you want them to break up at this point! - but that Emelia and Beth will end their friendship, a friendship so vital to each of them. This is not just about Emelia teaching Beth how to loosen up - after all, Beth appears to be so into her studies as her own form of escapism from her constantly bickering parents. Emelia is equally impressed with Beth, with her intelligence and quiet determination.

Each character is completely flawed and relatable and the comedic timing of Beth's younger sister Posy is spot-on, offering light-hearted relief amongst the drama. The arguments between mum and dad are hilarious to watch but you know that if they were your parents you'd be shoving ear plugs in just like Beth does. It is this brilliant and perfectly balanced mix between drama and comedy that makes the film such a delight to watch and a gem in British Cinema.

Emelia is a fascinating character, rebellious and outspoken but also caring and desperate to be loved. She clutches to any kind of history she can and struggles constantly with her own identity. She is funny and honest in her ups and downs which makes her immensely likeable. You want her to find happiness and you want her to do well. Watching the impact she has on the family - and them on her - is a thing of beauty.

Albatross hits UK screens on 14th October.

4/5 FOBLES

Pictures: Copyright CinemaNX

For Q&A with star Jessica Brown Findlay and writer Tamzin Rafn click here.