Are the Oscars® Over Before They've Even Started?

Speculation has begun over which film will take Best Picture at this Sunday's Oscar® ceremony. Here are the nominees:

The Artist
War Horse
Tree of Life
Moneyball
Midnight in Paris
Hugo
The Help
Extremely Loud
The Descendants

Many people believe that The Artist is the clear frontrunner to win and while it may not be everyone's film of 2011, it's certainly the best film out of that list. What other film has managed to charm both critics and audiences alike? None. All of the films on this year's Best Picture list are adequate - apart from War Horse and Extremely Loud and Incredibly Close - both of which I have heard are horrendous and have no desire to see. They're all perfectly good, watcheable films - if you like that sort of thing. But not one of them blew my socks off. The Artist did.

Yet, having won so many awards already, it seems too easy to give The Artist Best Picture. Because let's face it - people love an underdog. And for a while, The Artist was. It was a little known film with a cast people hadn't seen before, a director whose name people couldn't pronounce and it was all in black and white! In an era of spectacle at the cinema, few would have thought it would do well. Then Harvey Weinstein got his hands on it and BOOM! The Artist became a global sensation.

But if it is time for The Artist to step down as king, who could take its place and grab the gong? Drive? We Need to Talk About Kevin? No - they didn't even make the shortlist. Arguably because of their controversial subject matter but maybe the powers that be just didn't like them.

At the 2011 Academy Awards, the list was a great one. It had a mix of genres, of styles and tastes. And each one offered something great.The films from last year were: Black Swan, The Fighter, Inception, The Kids Are All Right, The King's Speech, 127 Hours, The Social Network, Toy Story 3, True Grit and Winter's Bone. There's something for everyone in that list! There were front runners of course but any one of those films could have taken the crown. This year, it feels more like choosing the best of a bad bunch.

Will the American's love of baseball mean Moneyball takes it? Or perhaps their adoration for Martin Scorsese will persuade them to award Hugo with Best Picture. The cast did a brilliant job in The Help but will it win Best Picture? Unlikely.

Most of the major awards seem to be so unbearably predictable it almost seems unnecessary to have a ceremony at all. It might just be easier to give The Artist and Meryl Streep their awards by post and throw everyone a big party where they can speak for longer than 40 seconds and sob into a glass of wine, not a mini statue. It will most probably offer up something a little more controversial...

Will I still be checking out the highlights when I wake up on Monday morning? Of course I will. I can't wait to see what Billy Crystal has in store and what the ladies behind Bridesmaids make of their chance to present. I just wish the awards themselves got me as excited.

So who do you want to win Best Picture at the 2012 Academy Award Ceremony? Let me know in the comments below.

BAFTA 2012 Nominations Announced

 

This morning's BAFTA press release has now arrived the final nominations have been announced. Unsurprisingly it is The Artist in the lead with 12 nominations, closely followed by Tinker Tailor Soldier Spy with 11. Martin Scorcese film Hugo has nine nominations, My Week with Marilyn has six and The Help and War Horse each have five.

Sadly Best Actress longlist nominee Olivia Colman has not made the final cut but first-time Director Paddy Considine has been nominated in the OUTSTANDING DEBUT BY A BRITISH WRITER, DIRECTOR OR PRODUCER category alongside Ralph Fiennes, Joe Cornish and Richard Ayoade. King of the award season so far, George Clooney, has some serious competition in the Best Actor category against Gary Oldman, Jean Dujardin and Michael Fassbender. And who will win the Best Actress category is anyone's guess with the final nominations including Bérénice Bejo, Meryl Streep, Michelle Williams, Tilda Swinton and Viola Davis.

Here are the nominations in full:

BEST FILM

THE ARTIST Thomas Langmann
THE DESCENDANTS Jim Burke, Alexander Payne, Jim Taylor
DRIVE Marc Platt, Adam Siegel
THE HELP Brunson Green, Chris Columbus, Michael Barnathan
TINKER TAILOR SOLDIER SPY Tim Bevan, Eric Fellner, Robyn Slovo

OUTSTANDING BRITISH FILM

MY WEEK WITH MARILYN Simon Curtis, David Parfitt, Harvey Weinstein, Adrian Hodges
SENNA Asif Kapadia, James Gay-Rees, Tim Bevan, Eric Fellner, Manish Pandey
SHAME Steve McQueen, Iain Canning, Emile Sherman, Abi Morgan
TINKER TAILOR SOLDIER SPY Tomas Alfredson, Tim Bevan, Eric Fellner, Robyn
Slovo, Bridget O'Connor, Peter Straughan
WE NEED TO TALK ABOUT KEVIN Lynne Ramsay, Luc Roeg, Jennifer Fox, Robert Salerno,
Rory Stewart Kinnear

OUTSTANDING DEBUT BY A BRITISH WRITER, DIRECTOR OR PRODUCER

ATTACK THE BLOCK Joe Cornish (Director/Writer)
BLACK POND Will Sharpe (Director/Writer), Tom Kingsley (Director), Sarah Brocklehurst (Producer)
CORIOLANUS Ralph Fiennes (Director)
SUBMARINE Richard Ayoade (Director/Writer)
TYRANNOSAUR Paddy Considine (Director), Diarmid Scrimshaw (Producer)

FILM NOT IN THE ENGLISH LANGUAGE

INCENDIES Denis Villeneuve, Luc Déry, Kim McGraw
PINA Wim Wenders, Gian-Piero Ringel
POTICHE François Ozon, Eric Altmayer, Nicolas Altmayer
A SEPARATION Asghar Farhadi
THE SKIN I LIVE IN Pedro Almodóvar, Agustin Almodóvar

DOCUMENTARY

GEORGE HARRISON: LIVING IN THE MATERIAL WORLD Martin Scorsese
PROJECT NIM James Marsh, Simon Chinn
SENNA Asif Kapadia

ANIMATED FILM

THE ADVENTURES OF TINTIN: THE SECRET OF THE UNICORN Steven Spielberg
ARTHUR CHRISTMAS Sarah Smith
RANGO Gore Verbinski

DIRECTOR

THE ARTIST Michel Hazanavicius
DRIVE Nicolas Winding Refn
HUGO Martin Scorsese
TINKER TAILOR SOLDIER SPY Tomas Alfredson
WE NEED TO TALK ABOUT KEVIN Lynne Ramsay

ORIGINAL SCREENPLAY

THE ARTIST Michel Hazanavicius
BRIDESMAIDS Annie Mumolo, Kristen Wiig
THE GUARD John Michael McDonagh
THE IRON LADY Abi Morgan
MIDNIGHT IN PARIS Woody Allen

ADAPTED SCREENPLAY

THE DESCENDANTS Alexander Payne, Nat Faxon, Jim Rash
THE HELP Tate Taylor
THE IDES OF MARCH George Clooney, Grant Heslov, Beau Willimon
MONEYBALL Steven Zaillian, Aaron Sorkin
TINKER TAILOR SOLDIER SPY Bridget O'Connor, Peter Straughan

LEADING ACTOR

BRAD PITT Moneyball
GARY OLDMAN Tinker Tailor Soldier Spy
GEORGE CLOONEY The Descendants
JEAN DUJARDIN The Artist
MICHAEL FASSBENDER Shame

LEADING ACTRESS

BÉRÉNICE BEJO The Artist
MERYL STREEP The Iron Lady
MICHELLE WILLIAMS My Week with Marilyn
TILDA SWINTON We Need to Talk About Kevin
VIOLA DAVIS The Help

SUPPORTING ACTOR

CHRISTOPHER PLUMMER Beginners
JIM BROADBENT The Iron Lady
JONAH HILL Moneyball
KENNETH BRANAGH My Week with Marilyn
PHILIP SEYMOUR HOFFMAN The Ides of March

SUPPORTING ACTRESS

CAREY MULLIGAN Drive
JESSICA CHASTAIN The Help
JUDI DENCH My Week with Marilyn
MELISSA MCCARTHY Bridesmaids
OCTAVIA SPENCER The Help

ORIGINAL MUSIC

THE ARTIST Ludovic Bource
THE GIRL WITH THE DRAGON TATTOO Trent Reznor, Atticus Ross
HUGO Howard Shore
TINKER TAILOR SOLDIER SPY Alberto Iglesias
WAR HORSE John Williams

CINEMATOGRAPHY

THE ARTIST Guillaume Schiffman
THE GIRL WITH THE DRAGON TATTOO Jeff Cronenweth
HUGO Robert Richardson
TINKER TAILOR SOLDIER SPY Hoyte van Hoytema
WAR HORSE Janusz Kaminski

EDITING

THE ARTIST Anne-Sophie Bion, Michel Hazanavicius
DRIVE Mat Newman
HUGO Thelma Schoonmaker
SENNA Gregers Sall, Chris King
TINKER TAILOR SOLIDER SPY Dino Jonsater

PRODUCTION DESIGN

THE ARTIST Laurence Bennett, Robert Gould
HARRY POTTER AND THE DEATHLY HALLOWS: PART 2 Stuart Craig, Stephenie McMillan
HUGO Dante Ferretti, Francesca Lo Schiavo
TINKER TAILOR SOLDIER SPY Maria Djurkovic, Tatiana MacDonald
WAR HORSE Rick Carter, Lee Sandales

COSTUME DESIGN

THE ARTIST Mark Bridges
HUGO Sandy Powell
JANE EYRE Michael O'Connor
MY WEEK WITH MARILYN Jill Taylor
TINKER TAILOR SOLDIER SPY Jacqueline Durran

MAKE UP & HAIR

THE ARTIST Julie Hewett, Cydney Cornell
HARRY POTTER AND THE DEATHLY HALLOWS: PART 2 Amanda Knight, Lisa Tomblin
HUGO Morag Ross, Jan Archibald
THE IRON LADY Marese Langan
MY WEEK WITH MARILYN Jenny Shircore

SOUND

THE ARTIST Nadine Muse, Gérard Lamps, Michael Krikorian
HARRY POTTER AND THE DEATHLY HALLOWS: PART 2 James Mather, Stuart Wilson, Stuart Hilliker, Mike Dowson, Adam Scrivener
HUGO Philip Stockton, Eugene Gearty, Tom Fleischman, John Midgley
TINKER TAILOR SOLDIER SPY John Casali, Howard Bargroff, Doug Cooper, Stephen Griffiths, Andy Shelley
WAR HORSE Stuart Wilson, Gary Rydstrom, Andy Nelson, Tom Johnson, Richard Hymns

SPECIAL VISUAL EFFECTS

THE ADVENTURES OF TINTIN: THE SECRET OF THE UNICORN Joe Letteri
HARRY POTTER AND THE DEATHLY HALLOWS: PART 2 Tim Burke, John Richardson, Greg Butler, David Vickery
HUGO Rob Legato, Ben Grossman, Joss Williams
RISE OF THE PLANET OF THE APES Joe Letteri, Dan Lemmon, R. Christopher White
WAR HORSE Ben Morris, Neil Corbould

SHORT ANIMATION

ABUELAS Afarin Eghbal, Kasia Malipan, Francesca Gardiner
BOBBY YEAH Robert Morgan
A MORNING STROLL Grant Orchard, Sue Goffe

SHORT FILM

CHALK Martina Amati, Gavin Emerson, James Bolton, Ilaria Bernardini
MWANSA THE GREAT Rungano Nyoni, Gabriel Gauchet
ONLY SOUND REMAINS Arash Ashtiani, Anshu Poddar
PITCH BLACK HEIST John Maclean, Gerardine O'Flynn
TWO AND TWO Babak Anvari, Kit Fraser, Gavin Cullen

THE ORANGE WEDNESDAYS RISING STAR AWARD (voted for by the public)

ADAM DEACON
CHRIS HEMSWORTH
CHRIS O'DOWD
EDDIE REDMAYNE
TOM HIDDLESTON

Top Five Books of 2011

It's that time of year folks! The weather is getting colder, the silly animal hats are coming out, the Christmas shopping has begun, the lights are going up on Oxford Street, the cheesy adverts have started on TV, and people have started to debate what to buy for each of their friends and family and how they are going to fit into those tight trousers after just a few too many mince pies.

But one of the images most synonymous with the holiday season is that of you getting all curled up in that new jumper grandma bought you, by a warm fire (or more often than not - a radiator!) with a hot chocolate and tucking into a great book.

So as we reach the end of 2011, I wanted to share with you my favourite reads from this year. Admittedly, not all of these five were released this year but they were still new to me so I'm allowing it!

What have you enjoyed reading in 2011? Let me know in the comments below... and seasons greetings!

 

5. Dani's Story by Diane and Bernie Lierow with Kay West 

A gripping, heartwarming and horrifying non-fiction must-read about a severely neglected young girl who finds hope with a new family.

   

 

4. My Sweet Saga by Brett Sills 

A hilarious American romp with a brilliantly flawed male lead who will take you across the world on his crazy antics and snorting with laughter throughout.

  
 

3. The Help by Kathryn Stockett

A look at 1960s America amidst the race riots and what it was like for the black maids to work for a white family.

  
 

2. Afterwards by Rosamund Lupton

The follow up book by incredibly talented author Rosamund Lupton looks at the aftermath of a school fire with emotional and heart-wrenching honesty. Combines crime thriller with family drama brilliantly, and even adds a ghostly twist. 

 

1. We Need to Talk About Kevin by Lionel Schriver
A masterpiece of modern literature which, through a series of letters written to her absent husband, explores life for Eva after her teenage son is put in jail for killing his classmates. 

  
 

#MTOS Book to Film Adaptations: The Questions

On Sunday November 13th, I will be hosting #MTOS with a theme very close to my heart.... book to film adaptations. So this week our Movie Talk on Sunday is not just for film fans - it's for book-lovers too.

It seems that many films nowadays are based on books, whether it be comic book adaptations like Spiderman, Captain America and Superman, modern-day novels such as The Help, We Need to Talk About Kevin and Tinker, Tailor, Soldier, Spy or classic novels like Pride and Prejudice and Jane Eyre. But are they any good?

Remember, there are no right or wrong answers here - it's a discussion. So let's get chatting...

1. What is the best book to film adaptation ever made?
2. What is the worst book to film adaptation ever made?
3. What does a great adaptation need to be a success?
4. Why do you think film-makers are choosing to adapt books instead of taking on a new screenplay?
5. Is it easier to convert comic books, children's books or novels into films?
6. Have any films managed to be better than the original book?
7. What book would you like to see made into a film?
8. What book should never be made into a film?
9. Do you agree with the decision to split long books into two films, as with Harry Potter and the Deathly Hallows and Breaking Dawn?
10. Should authors be involved in book to film adaptations or leave well alone?

So see you on Sunday at 8pm GMT for this book vs film chat... and don't forget to use the hashtag #mtos.

For more information on what MTOS is, please click here.

Amanda x

The Help: Book vs Film

"Go find your life"

I read The Help in two days - thanks in part to our Indian summer, but mostly due to the fact that the book is impossible to put down. The Help is about Miss Eugenia "Skeeter" Phelan, a white twenty-something woman in Jacksonville, Mississippi during the 1960s, and the unlikely friendship she forges with the hired help. Skeeter's family have had a coloured maid her entire life, as have most white families in the area. This is standard and being raised by the maid, Constantine, does not strike Skeeter as strange until she returns from university to discover her maid has quit. She can sense there is more to the story as it is out of character for Constantine to just vanish without so much as a letter of explanation - but her mother insists she just quit and left to go and live with her daughter. It is this event that causes Skeeter to see things in a different light and she is suddenly very aware of the injustice these maids suffer daily. They can raise the child of a white woman, but can't use the same toilet.

Skeeter has never been like the other women in her neighbourhood. She is tall with frizzy hair and has been told her whole life that she is ugly, never gets asked to school dances and even her mother tells her not to wear heels as it'll just make her even taller. Constantine was always telling her she was special and would do something amazing with her life. While Skeeter's friends are all getting married and having babies, she wants to be a writer. So, after she gets a job writing a cleaning column for the local paper, she starts to talk to Aibileen, her friend's maid, for tips. The more she talks to Aibileen, the more she realises she wants to write about her perspective. But this is not just a taboo thing that local people would frown upon if word get out... this is illegal. So it's not going to be as easy as it may seem. Coloured people are being shot and beaten for less.

The book is a straightforward and honest look at a time when societal rules were not challenged. The white people believed that things were fine and didn't want to mess with the status quo. But this is not a preachy overly-sentimental book. It's a look at the relationship between Skeeter, Aibileen and Aibileen's best friend, the brilliant "sass-mouthing" Minny and how their unlikely friendship and quiet courage could spark change on a massive scale.

What the book does brilliantly is focus on the people involved. The "villain" of the story is easily Hilly Holbrook, Skeeter's best friend since they were little. She has the air of perfection about her but is so self-righteous and vile it makes your skin crawl. She has such a power over her friends and everyone in the area that nobody would dare go against her. So when Minny is brought in along with Hilly's mother Missus Walters you just know something spectacular is going to happen. Minny is not one to sit quietly on a grievance.

The book also shows the full horror of the violence with shootings and beatings of the coloured people in the area. When the women are sitting together in secret, telling their stories, you are terrified that they are going to get caught out. It is this fear that kept me going - I had to find out whether or not they all come out of it OK. As is explained in the book, a white man will beat you or shoot you, a white woman will do much worse - they will make it so nobody will ever give you a job, then get you evicted, take everything you have ever worked for until you are nothing but a shell of a person. Then the man will come round and shoot or beat you.

The film was directed and co-written with Tate Taylor, a childhood friend of Author Kathryn Stockett. It has been out in the US for weeks already and has been number one at the box office. This is largely thanks to two things. Firstly, the cast including Emma Stone, Viola Davis, Bryce Dallas Howard, Octavia Spencer, Jessica Chastain, Allison Janney and Sissy Spacek are outstanding. Each have captured the characters perfectly, from Sissy Spacek as the senile Missus Walters to Bryce Dallas Howard as the beautifully evil Hilly. Octavia Spencer as Minny is just as loud and endearing as you would expect, Jessica Chastain is just as vulgar, vulnerable and adorable as Celia Foote and even little Mae Mobley is cute and podgy. I have never seen such flawless casting. I was also delighted to see Cicely Tyson as Constantine. Her line in Fried Green Tomatoes "Won't sit next to a coloured child, but he'll eat eggs - shoot right out of a chicken's ass" is one of my favourites ever uttered in cinema.

Secondly, you can tell immediately that Stockett was involved in the screenplay. Though little bits have evidently been tweaked here and there and some of the chronology has been switched around, the essence of the book remains wholly in tact. There is one change that I didn't understand - which stopped it getting the 5/5 it so greatly deserves - to do with the truth behind Constantine's sudden absence, but other than that it is incredibly accurate. Overall, the adaptation has become a little more PG-friendly - the violence has been toned down but not forgotten and the ending is a little too neat and tidy for my liking.

However, as book to film adaptations go, this may have just made my Top 5 - just as beautifully heartbreaking as the original.

Book and film: 4.5/5 FOBLES

The film is out in the UK on 26th October. Go and see it!!!

The Help Trailer

Having just finished the book, I am incredibly excited to see the film adaptation of The Help. Of course, a book vs film review will be up here just as soon as humanly possible.

The film is already out in the USA - and has had rave reviews so far - but for UK fans, it will be hitting our screens on October 26th. Here is the trailer for those who haven't yet seen it.  Are you excited? Will it be a great book to film conversion or a disaster?

Leave your comments below...