Showing posts with label sam claflin. Show all posts
Showing posts with label sam claflin. Show all posts

Friday, 3 June 2016

Me Before You: Book vs Film

Me Before You was such a successful novel that when it was announced that an adaptation was in the works, fans of the book were caught between hesitation and excitement. Even when the book's author, Jojo Moyes, was announced as the screenwriter, there were doubts. Because, when a book is that loved, you don't want it messed with. 

Fortunately, Moyes has proven with this screenplay that she is not just a brilliant novelist but also a great screenwriter, with a spot-on understanding of what works on screen and how to compact her story successfully into a feature film.

If it wasn't integral to the story then it wasn't included in the film. Did Will need to have a sister in order for us to appreciate the issues faced by his family? No. We had his parents for that. Do we need the tension at Lou's house, the sibling rivalry and animosity, or the claustrophobic nature of her home in order to appreciate the family? No. They can be packed into the small house and still be loving and supportive.

Though there are some minor character traits and side plots which are forgotten, the major one that may surprise fans of the book is the total absence of a particular maze and all the events which took place. Now it might seem like a whopping great omission but having revisited the story I can see why it was left out. There is no question that this was of huge importance in the book. It explains Lou and it allows Will to be the one who makes her face up this key moment in her life and start to move forward from it. Yet in the film there simply isn't time. Other elements would needed to have been cut in order to properly go into what happened in that maze or else it would have been thrown in almost as an afterthought. Either option just didn't seem to work. Moyes herself even tweeted a fan, explaining that they tried to fit it in but just couldn't figure out a way to do it properly. The people are still going in the same direction. We're just spared some of the specifics.


The casting is so impressive. Very unlike her Khaleesi role, Emilia Clarke IS Lou. She's cute and adorable and chatty and a little bit bonkers – in the best kind of way. Sam Claflin similarly takes on Will, an extremely complex character, with apparent ease. The supporting cast, from Janet McTeer to Charles Dance, are all equally awesome to watch. And this brilliant ensemble are guided through the story by director Thea Sharrock, who displays the same genius command of storytelling as Moyes. The whole team have really come together here to tell this much beloved story.

It's a delight to see that, after some authors who probably should have been consulted on their adaptations and weren't (and some who shouldn't have but were!), authors are finally being acknowledged for their talents, not ignored. We are in a new era now when authors of great books are afforded not just the courtesy of being consulted on the adaptations of their own stories but the opportunity to write the script themselves. Gillian Flynn did it with Gone Girl, Emma Donoghue did it with Room, and now Jojo Moyes has done a phenomenal job with Me Before You.

So get your bumble bee tights on and go and see this absolute treasure. Then go home and re-read the book!

Book – 5
Film – 4

Wednesday, 13 November 2013

Catching Fire: Book vs Film

*contains some spoilers*

My love of The Hunger Games is not exactly a secret but my enthusiasm for the books means that the films have a far higher bar to reach than others might. Fortunately, the filmmakers behind the first and second film in the series have done such a superb job at adapting Suzanne Collins's incredible novels that I doubt many fans will be disappointed.

Catching Fire sees Katniss and Peeta begin their victory tour and realise that the charade does not end when the tour does. As they struggle to convince President Snow they are actually in love, the lives of all those they hold dear are under threat.

All the major things you could hope to see are there in The Hunger Games: Catching Fire. Two new additions in the book who immediately became fan favourites - Johanna and Finnick - are captured superbly on screen by Jena Malone and Sam Claflin. Malone is hilarious and twisted and pulls off her spectacular lift scene with apparent ease. Claflin similarly appears to take portraying Finnick in his stride, providing both the charm, heart and cheekiness that Finnick requires - and that sugar cube scene.

There are of course going to be omissions but I find it is more a question of the feel of the piece - and of course the inclusion of pivotal scenes that define the characters. One big omission is that Haymitch (Woody Harrelson) doesn't get the backstory I so loved reading about in the novel. However, he remains a pivotal character in the story and the hilarious way Katniss wakes him at the start is still there for the fans to enjoy.

Peeta (Josh Hutcherson) undergoes one of the more notable transformations for the adaptation - for one thing, he can swim! It was a conscious decision by filmmakers to make Peeta a little less pathetic and 'nice' and it seems to have worked. The bond he shares with Katniss is unaltered and, though they don't really make too much of it, we do see them sleep by each other's side in order to keep the nightmares at bay.

Liam Hemsworth fans might be delighted to hear that he does get his shirt off - though it's not really the sexy scene many fans might have hoped for. His wounded portrayal of Gale, however, will no doubt still send many hearts aflutter.

Overall, the film remains beautifully true to the source text but is strong enough to stand on its own two feet and will appeal to both fans of the book and those new to the stories.

Book and film - 5 FOBLES