Saturday, 10 August 2013
The Female Doctor Arrives: a fan's love letter to the sexists
I never imagined that writing an article where I simply raised the question of whether or not it was time for a female Doctor Who would get such an insane reaction. Apart from the many who simply said they would rather the Doctor remained a man (fair enough!), there was also numerous so-terrifying-it-was-positively-hilarious comments on the article, ranging from the notion that I was simply being PC for PC's sake to the belief that a woman as the Doctor would never work because she would be on her period and doing her make-up all the time.
So, in answer to all those narrow-minded sexists, I have written my own little intro for a new Doctor who likes to go on adventures, take a companion along for the ride and visit new worlds. She also happens to be a woman.
Matt Smith's Doctor is no more and his overly long locks have grown even further into those of a female.
Doctor: I'm a woman! Oh this is going to be fun! Wait, where did Clara go?
Assistant: She had to leave. Figured it was time for her to go, seeing as she'd already saved you over and over. Some women just can't help saving you, huh?
Doctor: Yeah I do kind of bring that out of people don't I. Well, women. Ooh like me now!
Assistant: But I thought Timelords were all men?
Doctor: Why?
Assistant: Well it is Timelord isn't it?
Doctor: So? Who do you think gives birth to them all?
Assistant: I guess.
Doctor: Besides. You're all human aren't you. I mean there isn't a huwoman race out there I've been missing is there?
Assistant: Nope. Just us.
Doctor: Wait up. You're a guy!
Assistant: Yup. Sometimes guys want to be whisked away by a woman for an adventure you know. Times change.
Doctor: Excellent! Where shall we go first then? I'm driving.
So where should they go next?
Thursday, 8 August 2013
Book Review: World War Z by Max Brooks
World War Z by Max Brooks is more of a sociological report than a novel, beginning with the origins of the undead outbreak and taking the reader on a journey across countries as each society deals with the threat in their own way. As people join forces or cut their losses, Brooks uses the very unhuman undead to explore the human psyche, the need for survival and the lengths people will go to out of fear and desperation. After all, you may be able to avoid being bitten by a zombie, but will you manage to stay warm, find food and continue living?
Every few pages, the interviewer (who is never revealed - though I suspect may have led to the Brad Pitt character in the film adaptation) moves on to a new subject in an apparently never-ending attempt to understand what happened and how it all began. Some stories are very personal about average people surviving against all odds while others look at military personnel and officials. But each story is unique and compelling in their own right. My personal favourite involves a blind man who survived in the forest by himself!
The detail of the zombies is beautifully captured, too, as it is done through the eyes of so many different interviewees.
The interview style and the fact that the stories are broken up so regularly makes the novel something of a difficult read but it is easy to keep picking it back up and delving further into the story of a planet in crisis.
Book - 4.5 FOBLES - fascinating and beautifully crafted
Having not seen the film I am in no position to compare the two but from what I've been told, the film is massively different. Have you seen it? What did you think?
Every few pages, the interviewer (who is never revealed - though I suspect may have led to the Brad Pitt character in the film adaptation) moves on to a new subject in an apparently never-ending attempt to understand what happened and how it all began. Some stories are very personal about average people surviving against all odds while others look at military personnel and officials. But each story is unique and compelling in their own right. My personal favourite involves a blind man who survived in the forest by himself!
The detail of the zombies is beautifully captured, too, as it is done through the eyes of so many different interviewees.
The interview style and the fact that the stories are broken up so regularly makes the novel something of a difficult read but it is easy to keep picking it back up and delving further into the story of a planet in crisis.
Book - 4.5 FOBLES - fascinating and beautifully crafted
Having not seen the film I am in no position to compare the two but from what I've been told, the film is massively different. Have you seen it? What did you think?
Wednesday, 31 July 2013
The Hunger Games continues Catching Fire with new exciting trailer
The wait is finally over for fans of The Hunger Games series - the new trailer for 'The Hunger Games: Catching Fire' has arrived!
This time around, something is notably different and it is Katniss Everdeen's little sister Prim (Willow Shields) who says just what that is in the trailer - hope. The hope Katniss (Jennifer Lawrence) has inspired, of course, also brings with it an immense and very real threat to both herself and those she loves - a threat she is desperate to flee from as evident when she begs best friend Gale to run away with her before they are killed.
There are two elements of the trailer, however, which are even more exciting to see. Firstly, there is a lot more of the infamous conversation which takes place between President Snow (Donald Sutherland) and Katniss. This conversation - as fans will already know - is what starts the story and makes Katniss decide to do all she can to keep Snow on side. 'Would you like to be in a real war?' Snow asks. 'What do I need to do?' Katniss asks in response.
Secondly, and perhaps even more importantly, is the first real look at the victors who will be joining Katniss and Peeta (Josh Hutcherson) in the arena. None of them have been allowed to speak yet in this trailer but - in true Hunger Games fashion - they are far more captivating showing off their fighting skills. Unsurprisingly, we have been treated to a glimpse of a half-naked Finnick Odair (Sam Claflin) and a rather intimidating Johanna Mason (Jena Malone) - though no sight yet of that much-loved first appearance of hers.
The trailer also shows something that is not often seen in any of The Hunger Games stories - a surprised and rather annoyed President Snow - after Katniss's magical transformation from blushing bride to Mockingjay.
Arguably, the most powerful and lingering part of the entire trailer is that of Haymitch's parting words for Katniss, spoken once again by the incomparable Woody Harrelson: 'Remember who the real enemy is.'
The promotional team behind the film are being careful not to give too much away too soon. The first trailer for 'The Hunger Games: Catching Fire' was focused on the immediate aftermath of the first film and the struggle the two victors faced under the Capitol's spotlight. Now, with this second trailer finally released, and only four months left until the film hits cinemas, fans of the franchise are able to see what happens next, meet the other victors and get a look at the arena itself. The more footage I see, the more it looks like this will be another stunning adaptation of the Suzanne Collins novels - and the more I cannot wait to see the film itself.
What's your favourite part of the trailer?
This time around, something is notably different and it is Katniss Everdeen's little sister Prim (Willow Shields) who says just what that is in the trailer - hope. The hope Katniss (Jennifer Lawrence) has inspired, of course, also brings with it an immense and very real threat to both herself and those she loves - a threat she is desperate to flee from as evident when she begs best friend Gale to run away with her before they are killed.
There are two elements of the trailer, however, which are even more exciting to see. Firstly, there is a lot more of the infamous conversation which takes place between President Snow (Donald Sutherland) and Katniss. This conversation - as fans will already know - is what starts the story and makes Katniss decide to do all she can to keep Snow on side. 'Would you like to be in a real war?' Snow asks. 'What do I need to do?' Katniss asks in response.
Secondly, and perhaps even more importantly, is the first real look at the victors who will be joining Katniss and Peeta (Josh Hutcherson) in the arena. None of them have been allowed to speak yet in this trailer but - in true Hunger Games fashion - they are far more captivating showing off their fighting skills. Unsurprisingly, we have been treated to a glimpse of a half-naked Finnick Odair (Sam Claflin) and a rather intimidating Johanna Mason (Jena Malone) - though no sight yet of that much-loved first appearance of hers.
The trailer also shows something that is not often seen in any of The Hunger Games stories - a surprised and rather annoyed President Snow - after Katniss's magical transformation from blushing bride to Mockingjay.
Arguably, the most powerful and lingering part of the entire trailer is that of Haymitch's parting words for Katniss, spoken once again by the incomparable Woody Harrelson: 'Remember who the real enemy is.'
The promotional team behind the film are being careful not to give too much away too soon. The first trailer for 'The Hunger Games: Catching Fire' was focused on the immediate aftermath of the first film and the struggle the two victors faced under the Capitol's spotlight. Now, with this second trailer finally released, and only four months left until the film hits cinemas, fans of the franchise are able to see what happens next, meet the other victors and get a look at the arena itself. The more footage I see, the more it looks like this will be another stunning adaptation of the Suzanne Collins novels - and the more I cannot wait to see the film itself.
What's your favourite part of the trailer?
Monday, 15 July 2013
Pacific Rim puts the fun back into summer blockbusters
Remember the effect Jurassic Park had on the big screen? Independence Day? The incredible effects, the comedic one-liners, the characters we all cared about? It's been ages since I've felt that in the cinema - until now!
Pacific Rim ticks every box and delivers with every scene. The 3D enhances the cinematic experience and both the aliens and robots are simply spectacular. Care and detail has gone into making them more than just Power Rangers on steroids and the result is mesmerising and breathtaking to behold. Behind the action and epic robot vs. alien fight sequences, though, there is heart and emotion. There is a fantastic female actress (Rinko Kikuchi) who doesn't need to parade about in a bikini amongst the men to make people take note, there is Idris Elba leading the troups, Charlie Hunnam scarred by the loss of his brother.
The story has it all and backs it up with everything you could want from a proper summer blockbuster: action, comedy, thrills and pure unadulterated fun.
Go and see it. See it right now, at the cinema, in 3D. You will not be disappointed. Your face may hurt though from all the smiling!
5/5 FOBLES - if only more filmmakers could deliver like this does
Friday, 12 July 2013
Kirsty Greenwood's 'Yours Truly' gets a gorgeous new paperback cover!
Ebook sensation, Novelicious creater, champion of women's fiction and all-round lovely lady Kirsty Greenwood has already dazzled with her debut novel, Yours Truly, which rocketed to within the top 10 ebook sales soon after its launch. Now, having signed on with Pan Macmillan, Kirsty has today revealed the new cover for the paperback edition - due out in November - and it is GORGEOUS!
Here's what I thought of this delightful debut!
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Courtesy of @kirstybooks |
Saturday, 8 June 2013
Theatre Review: The Hothouse with Harold Pinter panel discussion
Guardian theatre critic and Harold Pinter biographer Michael Billington joined actresses Gina McKee and Lia Williams, writer Nick Payne and theatre director Jamie Lloyd for a special panel discussion of the playwright's work last week, ahead of the production of his play The Hothouse which stars John Simm, Simon Russell Beale and Harry Melling.
The panel discussed the influence of Pinter as a playwright, from the Pinter pause and the real meaning behind what is not said to the importance of timing in his dialogue. Pinter, they said, was revolutionary in the world of theatre and was amongst the first group of playwrights to provide works with ambiguous endings, where audiences could interpret the play the way they wanted to. Every line and every gesture, according to the panel, had significance.
The Hothouse follows the staff of a mental health facility as Christmas Day brings the news of both a birth and a death amongst their patients. Chaos ensues as the chief, Roote, starts to panic about the implications of such events taking place under his roof.
The play moves at breakneck speed with the dialogue delivered as quickly as a Wimbledon tennis match - flying from one actor to the next and back again. The performances are often manic, adding to the hilarity but, though it is hilarious throughout and provides numerous belly laughs, the play is incredibly dark. The patients are never actually seen but hearing the way the staff talk about them is horrifying. They refer to them in numbers and look at them as an imposition and inconvenience. The news that one of the patients has given birth means that one of the staff has been having sexual relations with her but this reveal is met more with indignation at the extra work the birth has created rather than horror at the relationship itself. The most horrifying scenes are that of Lamb (played by Melling) undergoing electric shock treatment. His performance is so vivid that the result is immensely unsettling.
For the most part, The Hothouse follows a steady rhythm but it leaps, rather unexpectedly, into one of the more shocking and unresolved endings for which Pinter is now so well known.
A clever, insightful but slightly disjointed work.
4/5 FOBLES
The panel discussed the influence of Pinter as a playwright, from the Pinter pause and the real meaning behind what is not said to the importance of timing in his dialogue. Pinter, they said, was revolutionary in the world of theatre and was amongst the first group of playwrights to provide works with ambiguous endings, where audiences could interpret the play the way they wanted to. Every line and every gesture, according to the panel, had significance.
![]() |
Harry Melling (Lamb) - The Hothouse Photo Credit Johan Persson |
The play moves at breakneck speed with the dialogue delivered as quickly as a Wimbledon tennis match - flying from one actor to the next and back again. The performances are often manic, adding to the hilarity but, though it is hilarious throughout and provides numerous belly laughs, the play is incredibly dark. The patients are never actually seen but hearing the way the staff talk about them is horrifying. They refer to them in numbers and look at them as an imposition and inconvenience. The news that one of the patients has given birth means that one of the staff has been having sexual relations with her but this reveal is met more with indignation at the extra work the birth has created rather than horror at the relationship itself. The most horrifying scenes are that of Lamb (played by Melling) undergoing electric shock treatment. His performance is so vivid that the result is immensely unsettling.
For the most part, The Hothouse follows a steady rhythm but it leaps, rather unexpectedly, into one of the more shocking and unresolved endings for which Pinter is now so well known.
A clever, insightful but slightly disjointed work.
4/5 FOBLES
The Hothouse runs until August 3rd
at Trafalgar Transformed.
Friday, 7 June 2013
New Carrie poster arrives
A new poster has arrived for the long-awaited - and, annoyingly, delayed - Carrie adaptation which stars Chloe Moretz and is out later this year.
What do you think? Will it be more like the Stephen King novel? It certainly looks that way from the trailer...
Source: Shortlist
What do you think? Will it be more like the Stephen King novel? It certainly looks that way from the trailer...
Source: Shortlist
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